A 50th edition at the top
Photo Agence QMI, Mathieu Belanger
Cédric Bélanger
Sunday, 16 July 2017 22:25
UPDATE
Sunday, 16 July 2017 22:25
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With P!nk, the Backstreet Boys, Metallica, the Who and all the other big names that have rocked Quebec for eleven nights, the summer Festival has reached the top of the mountain in 2017. What are the results to plot an event in which the cruising speed was never as high as in this year’s edition 50th anniversary ? Here are our comments.
High expectations
In the last fifteen years, the motto is not an official was ” Always bigger “. Yet, more than ever, in 2017, the programming of the summer Festival could compare to those big events like Coachella or Glastonbury, and has even surpassed the poster Bonnaroo in decline.
For the future, the people of Quebec will expect nothing less than another parade of big names. Luckily, there are tons on the market, starting with Coldplay, U2 and Eminem, that are called for each year.
The money is there, it will be for the FEQ to seize the opportunities.
Management of crowds
Photo Stevens LeBlanc
James hetfield didn Metallica
The risk of flooding were many. We think of the concert on a barrel of powder Migos and the invasion of Metallica.
In this chapter, the FEQ can say mission accomplished. All the adjustments made in recent years — new entry on the Plains, new screen at the parc de la Francophonie — has allowed management almost perfect from the crowds.
Yes to the discoveries
Photo Agence QMI, Daniel Mallard
Gorillaz
It has long been alleged that the FEQ cautious on the Plains, to the detriment of the stars of the current indie.
This year, the director of the programming has focused on Gorillaz, a name which rang no bell for many festival-goers.
However, the popular response has been more than acceptable, and the curious who have tried their luck emerged from the Plains conquered. There is a bonanza to be tapped. When Florence and the Machine ?
The front area of the stage
Photo Agence QMI, Simon Clark
The rapper Kendrick Lamar
Kendrick Lamar and Danny Brown have semoncés. The same problem has also resurfaced in the past few years. Too often, the artists on the Plains are faced with two audiences in the antipodes.
One that broke out in general admission and another amorphous in the front area of the stage. Could we move this area without depriving the people who pay the wholesale price of a reserved place conveniently located ? For the atmosphere of the show, this would be desirable.